Articles in English
Lectures and Papers
- Studies on Clarice Lispector e. g.
- 2002 – Fictions of the Impossible: Clarice Lispector, Lúcio Cardoso, and “Impossibilidade” (in Lusosex book: gender and sexuality in the Portuguese-speaking world, Orgs. Susan Canty Quinlan, Fernando Arenas, 84-103)
- 1999 – Reading Translation Queerly: Lispector’s Translation of The Picture of Dorian Gray (in Bulletin of Hispanic Studies, 691-702)
- Studies on Tulio Carella e. g.
- 2019 – Challenging Lusophonia: Transnationality, Translationality, and Appropriation in Tulio Carella’s Orgía/Orgia and Hermilo Borba Filho’s Deus no pasto (in Journal of Lusophone Studies, 4.1, 186-207).
- 2018 – Tulio Carella’s Recife Days: Politics, Sexuality, and Performance in Orgia (in Latin American Theatre Review, 51.2, 7-22)
- 2018 – Queering Pan-Americanism: Counternational Politics in Tulio Carella’s Recife Diaries, 1960-1961 (in Beyond binaries: sex, sexualities, and gender in the Lusophone world, Orgs. Paulo Pepe, Ana Raquel Fernandes, 11, 217-236)
- Studies on others authors such as Álvares de Azevedo, Lúcio Cardoso, Caio Fernando Abreu as well as unpublished work, e. g. on Celso Brandão
- 2018 – Mascarados and Sujos: Performance and Inclusion in Celso Brandão’s Caixa-preta (unpublished work)
- 2002 – Fictions of the Impossible: Clarice Lispector, Lúcio Cardoso, and “Impossibilidade” (in Lusosex book: gender and sexuality in the Portuguese-speaking world, Orgs. Susan Canty Quinlan, Fernando Arenas, 84-103)
- 1999 – “Caio Fernando Abreu, AIDS, and the Theatre.” (in Brasil/Brazil, 19, 81-98)
- 1983 – “A Brazilian Intermediary in the Transmission of European Romantic Ideas: Alvares de Azevedo.” (in Romance Notes, 23.3, 220-226).
- Works about Theatre (history, pedagogy, performance) e. g.
- 2016 – Making it Relevant: Reflections on the Teaching of Brazilian Theatre in the United States (in Latin American Theatre Review, 50.1, 13-29)
- 2002 – “Modernist Retrocessions: Homosexual Transgression, Representation, and the Theatre of Brazilian Modernism.” (in Confluencia 17, Special Issue on Luso-Brazilian Theatre. Ed. K. David Jackson. 12-25).
- 1997 – Theatre in Brazil from 1822 (in Encyclopedia of Latin American Literature. Ed. Verity Smith. London: Fitzroy Dearborn Publishers. 785-88; 794-95.
- 1996 – “The Theater in Brazil through 1900;” and “Annotated Bibliography.“ (in The Cambridge History of Latin American Literature. Vol. 3. Ed. Roberto González-Echevarría and Enrique Pupo-Walker. Cambridge: Cambridge University Press, 105-25; 759-65).
- 1996 – “The Brazilian Theater in the Twentieth Century;” and “Annotated Bibliography” (in Cambridge History of Latin American Literature. Vol. 3. Ed. Roberto González-Echevarría and Enrique Pupo-Walker. Cambridge: Cambridge University Press, 269-313; 812-23).
Articles in Portuguese
Lectures and Papers
- Studies on Clarice Lispector e. g.
- 2023 – “The author just stares at you”: Tradução e criação transmodal em Clarice: the visitor, de Idra Novey (in Personagens de Clarice, Org. Antonio Ladeira, Yudith Rosenbaum, Eliane Fittipaldi Pereira, 100-114)
- 2019 – Ficções do impossível: Clarice Lispector, Lúcio Cardoso e a “impossibilidade” (in Revista da Biblioteca Mario de Andrade, Org. Gutemberg Medeiros, 72, 105-122)
- 2014 – Outro mundo, outros mundos: Clarice Lispector e a descoberta da América (in Letterature D’America, Org. Ettore Finazzi Agr`o, Luca Bacchini, 55-78)
- Studies on others authors such as Lúcio Cardoso, as well as unpublished work, e. g. on Walmir Ayala
- 2004 – “‘Difícil é o reino’: Em torno da diarística de Walmir Ayala.” (unpublished work)
- 2003 – “‘Crônica de gemidos’: Os diários de Lúcio Cardoso e Walmir Ayala”. (unpublished work)
- Works about Theatre e. g.
- 1995 – “O drama histórico brasileiro na década de oitenta.” (in Critical Essays in Honor of María A. Salgado. Ed. Luiz Domínguez and Millicent Bolden. Newark, Del.: Juan de la Cuesta, 109-18).
- 1993 – “Namoros com a ribalta: Mário de Andrade e o teatro.” (in Homenagem a Alexandrino Severino: Essays on the Portuguese Speaking World. Ed. Margo Milleret and Marshall Eakin. Austin, Texas: Host Publications, 180-95).
Articles in another language
Lectures and Papers
- 2018 – Une ‘effervescence’ douteuse: le théâtre brésilien sous le régime militaire (in 1964 – la dictature brésilienne et son legs. Monica Raisa Schpun et James Green, orgs. Paris: Édition Le Poisson Volant, 208-229).
Articles about Administration
Lectures and Papers
- 2012 – Directing and Teaching in a Summer Intensive Program in Portuguese (in PMLA – Publications of the Modern Language Association, 127.4, 980-982 [Section ‘The Changing Profession’])
- 2003 – Mediação, divulgação, intervenção: O papel da Luso-Brazilian Review (in Actas do VIII Congresso Internacional da ABRALIC. Belo Horizonte: Associação Brasileira de Literatura Comparada, CD-Rom)
Sole-authored Books
Tentative Transgressions: Homosexuality, AIDS and the Theatre in Brazil. University of Wisconsin Press, 2004.
Violent Acts: A Study of Contemporary Latin American Theatre. Detroit: Wayne State University Press, 1991.
Edited and Co-edited Works
“Introduction.” Performing Brazil. Ed. Severino J. Albuquerque and Kathryn M. Sanchez. Madison: University of Wisconsin Press, 2015. 3-14.
“Introdução.” Joaquim Nabuco e Wisconsin: Conferências na
Universidade. Ed. Severino J. Albuquerque. Rio de Janeiro:
Editora Bem-te-vi, 2010. 15-59.
Prefaces to Books
- 2019 – “Apresentação” (in Prelúdios & Delírios, José Geraldo W. Marques, Maceió: Imprensa Oficial Graciliano Ramos, 13-17)
- 2019 – “Apresentação” (in Memórias ao vento, Miguel Gustavo de Paiva Torres, Rio de Janeiro: Editora Albatroz, 11-14)
- 2019 – “Apresentação” (in Vinho tinto e banana, Miguel Gustavo de Paiva Torres, Rio de Janeiro: Editora Albatroz, 9-13)
Severino João Albuquerque 